Category: Blog

Regarding the work …

  • Family Vacation

    Much like the Griswolds in National Lampoon’s Family Vacation, my family climbed into a station wagon and headed out for summer adventure. Our target destination was a double wide trailer in the Mojave, but we took our time getting there, sleeping in a tent at KOAs and stopping at the usual tourist destinations—the Grand Canyon, the Petrified Forest, the Painted Desert—as well as any place that made my dad say, “Doesn’t that sound neat?!” So we saw a meteor crater, the fort where they filmed F-Troop, something with two heads that should only have had one. We also stopped at every Stuckey’s between Missouri and California, which I didn’t mind one bit because I love-love-loved their pecan log rolls. I read a book called Indian Chiefs that I bought with my own money in the Grand Canyon gift shop.

    Ten-year-old me, California City, CA, 1975.

    Eventually we got to the desert and settled in with our hosts, my godparents, Dean and Frances Bell and their kids. It was the first time I saw my mother on a motorcycle, my first paddle boat ride, my first hayride. I wore knee-high moccasins and saw sidewinders speeding across the sand. And never in my whole life have I seen as many stars as I did in the desert that summer.

    Another first: golfing. My dad took me with him while he played a round by himself. I was only 10 years old, and I went along not thinking I was going golfing but just to hang out with Dad. But once we were on the course, he handed me a 3 wood and told me to hit the ball he had just tees up. I imagine we only played nine holes; I remember my score was about 100.

    Ten-year-old me, Universal Studios Theme Park, 1975

    I never wanted to be a golfer, but I did often think I’d like to be the caricature artist at a theme park, cartooning for money and making people happy. Remembering my dad on the second anniversary of his passing, I’m sharing these cartoons we had drawn of us at Universal Studios theme park while on vacation in California in 1975. It took the artist about twenty seconds to find out that we had just been golfing a day or two before, and away he went.

    Dad, humorously drawn by a caricature artist at Universal Studios Theme Park, 1975.
  • Saturday Sketchbook

    “Mary Louise Kelly”

    I was asked if I could work up a portrait of Mary Louise Kelly, who has recently been in the news due to an off-the-record interaction with some political ass clown. I was sent a link to a Vogue article that included this photograph by Katarina Price and liked it because it was one of the only pictures I could find where she isn’t smiling. Smiling wasn’t going to be a good look for the assignment. Lucky for me, Katarina Price released this image for publishing and remixing under the Creative Commons license. The stipulations are that any derivative work must also be published under the same or similar share-alike Creative Commons license.

    Photograph of Mary Louise Kelly by Katarina Price,

    I opened the image on an iPad and set it on the ground about four feet away from me and sketched freehand. I got a pretty good likeness but thought I was a little bit off. Something as simple and unnoticeable as rotating the sketch a degree or two can throw things off.

    Mary Louise Kelly. Pen and ink illustration by Jeffrey A. Rogers.

    The finished file was going to have to be digital, so I brought the photograph and my initial sketch into Procreate and lined them up to see where I had gone wrong. I was surprised at just how much of the freehand sketch lined up with the image, but also saw immediately where I had missed in the angle/shape of the nose and crucial relationship of eyes/nose.

    Initial ink laid over reference image.

    Doing the initial sketch gave me a sense of what worked, the kinds of lines I wanted to use, and familiarity with the subject. Using the photo reference directly under my line work afforded me the opportunity to trace an accurate likeness. I chose to simplify the clothing in order to emphasize the face. Thicker outlines and eliminating the texture make the bust feel much more solid and seems to transition better to the intended typography below.

    Mary Louise Kelly. Digital illustration by Jeffrey A. Rogers.
  • The Honorable Pervert Charlie Rose

    I used to enjoy watching Charlie Rose interviews—artists, musicians, authors, poets—where else in mainstream media could one find such intimate, conversational interviews? Although I never fully agreed with one friend’s assessment of the program as “elitist,” eventually I grew tired of the fawning over Hillary Clinton and Jeff Bezos. However I did continue to tune in because it was a great way to get about a 20-minute “live” pose for portrait practice.

  • Saturday Sketchbook

    Coffee shops and restaurants are usually good stalking grounds for artists looking for people sitting relatively still for a while. Of course

    Old friends catching up
    The waitstaff
    Old Midwesterner at the Hipster Cafe
    Technology is your friend
    Technology is your friend
    Alone together
  • Saturday Sketchbook

    “Tracy”

    Thumbnail portrait sketch
  • Open says me

    Open says me

    I’m a quiet person. Until now I’ve been willing to share very little in the way of thoughts about my art, wanting to let the art speak for itself. I’ve shared very little of the art itself, guarded against putting my incompetence on display, afraid of degrading my reputation by exposing the errors that come with all of the trials that are the real stuff of artistic endeavor. Only the hits, none of the misses.

    I’ve decided not to hide anymore. I’m convinced that by opening up, sharing out, welcoming in… by all of that, I will become a better person, perhaps a better artist, and have a richer life, what’s left of it. That’s my hypothesis anyway. Strength, courage, vulnerability.